MAL D’ARCHIVIO

MAL D'ARCHIVIO

The film is a reaction to the inability to establish a proper discourse in a reality that is becoming an archive of itself. Given the impossibility of oblivion, the director duplicates this reality, himself becoming an archive. While in the filmic reality one becomes a restless ghost in order to find oblivion, it is necessary to expose oneself to the image while being able to fal- sify one’s tracks.

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