UN SI JOLI MOT: LE MONTAGE!

UN SI JOLI MOT: LE MONTAGE!

A documentary on the diverse editing theories applied in sequences of some of the most renowned films: from Sergei Eisentstein’s “montage of attractions” to Dziga Vertov, who used his kino-pravda and kinoglaz to “cinematize the masses.” Eisenschitz’s film offers a fundamental moment of film history and film aes- thetics, as well as rarely seen works by some of the great masters.

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