Verifiche incerte. Per una (contro)storia del cinema

Verifiche incerte. Per una (contro)storia del cinema

Dedicated to the memory of Standish Lawder
An avant-garde journey through some of the most important found footage films that traverse, analyze and deconstruct the works and styles of the earliest maestros of cinema: Muybridge, the Lumière Brothers, Méliès, Griffith, Keaton and Stroheim. This program offers a surprising panorama of (re)visions and (re)interpretations; an exploration of radical essay-films made by some of the greatest experimental filmmakers of all time. The au- dience can abandon itself to the magic of the seventh art, “an invention without a future.”

Programme 1
- Jean-Louis Gonnet - Filming Muybridge (1981) 25’
- Peter Tscherkassky - L’Arrivée (1998)
- 3’ Al Razutis - Sequels in Transfigured Time - Visual Essays N°3 (1976)
- 10’ Ken Jacobs - Keaton’s Cops (1991) 23’

Programme 2
- Les LeVeque - Backwards Birth of a Nation (2000) 13’
- Maurice Lemaître - Erich von Stroheim (1979) 50’
- Jean-Louis Gonnet - Filming Muybridge (1981) 25’
- Peter Tscherkassky - L’Arrivée (1998) 3’
- Al Razutis - Sequels in Transfigured Time - Visual Essays N°3 (1976) 10’
- Ken Jacobs - Keaton’s Cops (1991) 23’

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