PREMIO (RI)MONTAGGI. IL CINEMA ATTRAVERSO LE IMMAGINI

Concorso (Ri)montaggi. Il cinema attraverso le immagini (video- essay, recut, mash-up, remix)

The Pesaro Film Festival has always focused on cinema as a form that is thought, and year after year has sought out not only new cinema, but also a new criticism of innovative tools and lan- guages. Such as in the retrospectives on Thom Andersen, with his striking reflections on the image in audiovisual form, and pioneer André S. Labarthe’s groundbreaking Cinéastes de notre temps; and the 2015 video essay workshop that explored emerging forms of film criticism.
In the following editions, we implemented the (Re)Edit Competition for film students from uni- versities across the world and for the students of secondary schools.

I curatori, Chiara Grizzaffi e Andrea Minuz, hanno selezionato i seguenti video essay ritenuti più originali e interessanti:

I think I saw you try, Bastian Kühne-Delarocque, Stiftung Universität Hildesheim

Last night in Soho: Do you get déjà vu?, Giulia Monti, IULM

Coi piedi per terra, Eliana Iorio, Centro Sperimentale di Cinematografia

Martin Scorsese: Against the Hays Code, Jacopo Locatelli, Anita Giunta, Rebecca Lucino, NABA

Spectral Existences, Giovanni Venturato, IULM

La Spiaggia Italiana. Da immaginario balneare a spazio filmico, Paolo Massimo Pastore, Elisa Perletto, Elisabetta Soscia, La Sapienza

Chasing Delon, Alexandru Ghiorghiu, ITS Leonardo Da Vinci

Among these titles, the jury composed of Simone Emiliani, Federica Illuminati and Donato San- sone will select the best video essay.